Why Are so Many Classic Soundtrack Songs Missing From Streaming Services?
A conversation on X turned into a plea from Missy Elliott to the label behind the ‘Shark Tale’ soundtrack.

Yesterday, Missy Elliott replied to a fan’s post on X about why “Car Wash”—a Christina Aguilera song Missy appeared on—wasn’t available to stream on Spotify or Apple Music. The cut was part of the soundtrack to 2004's Shark Tale.
“HELLO??? @MissyElliott take this as a message to get car wash onto streaming services queen!” the fan wrote.
Missy responded: “And are the other songs on the sound track on there?”
The fan said no, and neither was half the compilation. This led to an exchange that ended with Missy addressing the label that released it in 2004.
.@UMG .@GeffenRecords the fans tagged me wanting to know why the song “Car Wash” on #Sharktale soundtrack not on some streaming sites…Can you please help out because many of them have been asking as you can see and miss it🙏🏾☺️
— Missy Elliott (@MissyElliott) November 25, 2025
The ’90s and 2000s were a great time for movie marketing. Studios had hefty budgets and plenty of room to experiment, which translated to classic soundtracks. Think Above the Rim, Bulworth, or even the live-action Scooby-Doo (no one said every movie they were tied to was also a classic).
So why is it that so many soundtrack cuts from the time are absent from streaming services? According to music licensing experts, the reason for these missing songs is simple: The contracts behind them didn’t anticipate a world in which music would be available on demand, digitally, via streaming.
A studio could drop a song into a movie, but that didn’t mean it could hit the soundtrack—or a streaming service years later. According to ThinkSync Music, soundtracks require entirely separate negotiations for the master recording and underlying composition, a process that is often too expensive or complicated to complete for every song on a compilation.
In the streaming era, this turns into a headache for songs performed by artists who were under contract with one label when a soundtrack they appear on was released through another. Missy was signed to Warner Music Group subsidiaries throughout her career, while the Shark Tale soundtrack was released under the Universal Music Group umbrella.
Other fan-favorite songs to suffer the same fate include OutKast, Killer Mike, and Sleepy Brown’s “Land of a Million Drums” (Scooby-Doo); B-Real, Busta Rhymes, LL Cool J, Method Man, and Coolio’s “Hit ‘Em High (The Monstars’ Anthem”) (Space Jam); and Snoop Dogg and Jermain Dupri’s “We Just Wanna Party with You” (Men in Black)
So what can artists do to get these songs on streaming? Missy Elliott has the right idea in tweeting to the labels, an effort that simultaneously encourages fans to join in pleading and petitioning.
In other instances, artists have acquired the rights to soundtrack cuts for their own releases. Case in point: OutKast’s recent Stankonia 25th anniversary re-release featured the soundtrack songs "Speed Ballin'” (Lara Croft: Tomb Raider) and “Sole Sunday” (Any Given Sunday).
We’re still waiting for “Land of a Million Drums,” though. Maybe the 30th anniversary re-release will be the one.
- Nano Banana Pro‘We’re All Cooked’: What You Need to Know About Nano Banana Pro, Google’s Updated AI App
- CosmThe Problem With Showing Classic Movies on the Most Advanced Screens on Earth
- SsenseCan Ssense Save Itself?
- DiddyNo Way Out: A Timeline of Diddy’s Years in Prison
Newsletter
The latest from us, straight to your inbox.
Newsletter
The latest from us, straight to your inbox.
Related Stories
- No Way Out: A Timeline of Diddy’s Years in Prison

No Way Out: A Timeline of Diddy’s Years in Prison
With the White House denying his sentence will be commuted, Diddy is set to remain in MDC Brooklyn.
By Lucas Wisenthal
- What Is a Teenior Citizen? Welcome to the New Midlife Crisis.

What Is a Teenior Citizen? Welcome to the New Midlife Crisis.
Blurring the lines between Gen X and Gen Z.
By Mr. Wavvy
- Is Zara Larsson Beyoncé’s First White Daughter? An Investigation.

Is Zara Larsson Beyoncé’s First White Daughter? An Investigation.
The Beyhive is embracing a blonde Swedish pop star with unusually open arms.
- Was This AI Artist Based on Victoria Monét? The Actual Singer Seems to Think So.

Was This AI Artist Based on Victoria Monét? The Actual Singer Seems to Think So.
A new AI pop star is blurring the line between inspiration and imitation.
- Sam Gellaitry Just Wants to Soundtrack Your Life

Sam Gellaitry Just Wants to Soundtrack Your Life
Gellaitry’s debut, ‘Anywhere Here Is Perfect,’ was shaped by virality, nostalgia, and dance music’s 2025 resurgence.
- Kid Cudi’s Discography Is ‘F*cking Amazing,’ According to Kid Cudi

Kid Cudi’s Discography Is ‘F*cking Amazing,’ According to Kid Cudi
Scott Mescudi offers an objective assessment of his catalog.
By Lucas Wisenthal