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MusicStill Hit Monday

Headed to the Disco With Harry Styles, and Then to Prayer with Cleo Sol

And more songs that made it past the weekend Still Hit Monday.

By Precious Fondren

Still Hit Monday is back after a brief MLK Day pause. While we were off, the release calendar didn’t slow down one bit, stacking everything from headline-grabbing drops to under-the-radar gems that deserve real attention. We’re catching up and cutting through the noise, per usual. 

Let’s get into this week’s picks.

Cochise, “Custard”

Producer: Jello Music, Nate Morgan

Cochise’s “Custard,” literally has sugar in it. The beat practically sparkles, and Cochise glides over it with the most playful ad-libs. He’s not saying much, and he doesn’t need to. There’s a cartoonish charm to the song, from the sticky hook to the buoyant rhythm, that makes the track feel like it’s floating. It’s playful without tipping into annoying. 

Snail Mail, “Dead End”

Producer: Aron Kobayashi Ritch 

On “Dead End,” Snail Mail returns sounding heavier, sharper, and more emotionally grounded than we’ve heard in a while. The track leans into gloomy, guitar-driven rock, letting distortion and tension do much of the talking while Lindsey Jordan cuts through with a voice that’s both weary and resolute. There’s an angsty undercurrent here, but it’s paired with a clear-headed honesty that makes the song feel more reflective than spiraling. As a teaser for her forthcoming album, the track sets a compelling tone.

Harry Styles, “Aperture”

Producer: Kid Harpoon

On “Aperture,” Harry Styles offers a soft-launch into his next era, teasing what’s ahead as he gears up for a newly announced album and multi-city residency in 2026. The track pulls from Jersey club rhythms but smooths them into something mellow and approachable, spending most of its runtime in a slow build before finally blooming in the bridge and last chorus. While there’s far more adventurous dance music living in this lane, “Aperture” is a cute little bop for the girls who are new to this rather than true to it. Polished, restrained, and intentionally accessible.

Cleo Sol, “Nothing is Impossible With You”

Producer: Inflo

On “Nothing Is Impossible With You,” Cleo Sol continues an almost unreal run of output, somehow finding the time to drop solo music while also being part of Sault’s latest release cycle. The song settles comfortably into her signature lane, calming, spiritual, and quietly reassuring, built on warm instrumentation and soft vocals. There’s no rush here, no need for drama or escalation. Cleo lets the message breathe, trusting that sincerity will do the heavy lifting. Perfect for gray skies and snow-dusted mornings. 

Leven Kali, “Breathe” 

Producer: Leven Kali

On “Breathe,” Leven Kali proves once again that consistency is his superpower. The track slides in as one of the grooviest offerings of the year so far, built on warm bass lines and funk that doesn’t feel too borrowed. It nods to classic funk without slipping into cosplay, keeping things fluid, modern, and effortlessly cool. Kali sounds relaxed and locked in. Lyrically, “Breathe” is an invitation or a gentle call to a lover to let go, move naturally, and follow one’s instinct instead of overthinking the moment.

Joyce Wrice, “Break Me In”

Producer: Mike Baretz, Malik Ninety Five 

On “Break Me In,” Joyce Wrice is full of lust, delivering a track that’s playful and knowingly suggestive. The title does most of the talking, but Joyce isn’t shy about stretching the metaphor and then pushing it even further. She pairs cheeky lyricism with a smooth, bounce-heavy groove. There’s a flirtatious ease to the way she sings. Sonically, the track channels vintage Amerie in the best way, since it’s bright, rhythmic, and undeniably fun. But there’s still that modern polish that keeps it from feeling like a throwback exercise.